This is the Temple of the Sun in the archaeological complex of Pachacamac, located about 20 miles south of Lima in the Lurin valley. At its height in the 15th century, this was the most important religious site for people in the coastal area.
The name Pachacamac, which can be variously translated as "He who Animated the World" or "He who Created Land and Time," comes from a powerful Wari (pre-Inca) god. Among other things, this god caused earthquakes and was one not to be offended. When the Inca took over the area around 1450 they took Pachacamac into their pantheon, but not as an equal. The Inca god Viracocha was seen as the more powerful. Nonetheless, Pachacamac was a god to be worshiped and feared by this large and sophisticated civilization.
Pachacamac took the form of an idol, a carved totem pole idol with two heads. It was considered an oracle and was not displayed publicly for worship, but kept in a sacred, closed room with a unique door. Only certain priests were allowed to enter and then only after days of preparation. After much preparation a priest would enter, ask the questions and then return outside to deliver the received wisdom.
The site has a very fine museum and, notwithstanding her occasional expressions to the contrary, Evie read many of the informative display signs (they were in English and Spanish) and enjoyed the museum.
It is a very large site and we were only able to see a small part. Nevertheless, it really is a deary, colorless, barren site, but it was not always that way.
In 1533 when the Spanish arrived they would have seen, not the colorless, brown structures we see today, but temples with walls painted red and yellow. The walls of the sun temple were painted red and also covered with strips of stones swathed with a thin gold film, creating a dramatic appearance and an illusion of a giant burning pyre visible from long distances.
There would have been hundreds of people brightly dressed in colors such as this textile.
When the Inca came they not only built remarkable new pyramids and temples, but also the Acllahuasi ("House of the chosen women"), also known as "Mamacona," seen above.
It was the Inca practice to collect from leading families in the outlying communities a few 10 year old girls to come to live in the Acllahuasi. There they would learn religion, spinning and weaving, preparation of food, and brewing chicha for special celebrations. Some would become mamakuna (priestesses) and were married to prominent men or assigned to religious duties. The most skilled and physically perfect were sent to Cusco to become secondary wives or concubines of the Inca emperor and other noblemen.
Some of these women were chosen, however, for another purpose, to be sacrificed in the highest ritual of their religion, many strangled with cotton garrote to appease Pachacamac.
There are several cemeteries at this complex, including a special one for those sacrificed. There archaeologists found the remains of bodies still with the cotton twisted around the neck. They were wrapped in fine cloth and buried in stone tombs and each have been surrounded by offerings from the highlands such as coca, quinoa, and cayenne pepper. They also found remains of sacrificed children and various animals.
When Francisco Pizarro took the Inca ruler Atahualpa prisoner at Cajamarca, he heard about this large city and the riches at Pachacamac. So he sent an expedition led by his half-brother, Hernando, to sack the place. Pizarro and his mounted soldiers arrived and burst into the chamber, to the great offense of the priests, and found little gold, but the putrid smell of the remains of various sacrificed animals. They took what gold there was, broke the idol in half and burned everything else.
Years later in 1938, however, some archaeologists working on the site actually found the idol, or at least a carved pole that exactly fit the descriptions left by the early Spanish. Perhaps, this most sacred thing had been taken out and hidden before the Spanish arrived. In any event, what you see in the museum is a replica, an interesting piece of ancient history, a piece of wood carved by the hands of men of a once great civilization that is now largely forgotten, the manifestation of a once great and powerful god that was never anything more than a dead piece of wood.
The children of Israel also had their issues with idols, and like Pachacamac, the Canaanite idols of Baal and Ashtoreth are gone and forgotten, except for an occasional reference in gospel doctrine classes. The Ark of the Covenant, the tabernacle, the temple in Kirkland and the first temple in Nauvoo, were also powerful symbols of God and like the idol of Pachacamac have been lost, destroyed, or have lost their religious significance. However, unlike Pachacamac, the true and living God of Israel lives and does not ask for the sacrifice of women and children but the sacrifice of a broken heart and a contrite spirit.
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